Robert Pollien, Landscape Painter, Bar Harbor Maine

Painting from Direct Observation, Grand Manan, NB, Canada

Painting from Direct Observation, Grand Manan, NB, Canada

During the 1980’s I taught art in the Portland area and often visited Acadia to take advantage of the public access to the coastline that forms the backbone of my work. Acadia National Park protects more than 47,000 acres, in stark contrast to the patchwork of private and municipal holdings along the coast in the rest of New England. After a few visits I proposed an Artist in Residence program to Acadia National Park management, and in October of 1994 I was Acadia National Park’s first Artist in Residence. The following year my family relocated to Town Hill in Bar Harbor. As a landscape painter, the issue of public access to the coastline was central to my decision to leave South Portland to live near the Park.

My work is done largely from direct observation and I have spent countless hours studying, painting and drawing on Mount Desert Island. My favorite sites include Great Head, the Otter Point area and both Hunter’s and Little Hunter’s Beaches, however this summer found me working off the island. For the month of July, I was an artist in residence at the Maine Farmland Trust’s Joseph A. Fiore Art Center at Rolling Acres Farm in Jefferson. It was an opportunity to explore a very different Maine landscape, and one that has been likewise opened for artists and others to experience freely.

I paint both in the studio and outside from direct observation, year-round. In winter I break out the finger-less gloves, warm boots and occasionally, a chemical heat pack tucked into the palm of my glove. The calm beauty of the island in the winter speaks to mer, though the variable weather and winter’s short day length can make winter work challenging. There’s much to be said for having Sand Beach all to yourself on a calm, cold February morning.

My work is currently on display at the Dowling Walsh Gallery in Rockland and the Artemis Gallery in Northeast Harbor, Maine. I teach painting and drawing at ArtwavesMDI, a a member supported, community arts center in Bar Harbor. For more information on my art classes, visit http://artwavesmdi.com

Artemis Gallery, Northeast Harbor, Maine

Perched (Raven), oil on linen, 20 x 19

Perched (Raven), oil on linen, 20 x 19

 

Winter, Little long Pond, oil on panel, 24 x 36

Winter, Little long Pond, oil on panel, 24 x 36

August 13 – August 26
Rob Pollien, Amy Pollien and Chris Jones
Opening Thursday, 8/13/15, 5 PM

ARTEMIS GALLERY
1 Old Firehouse Lane
Northeast Harbor, ME 04609
Phone: 207-276-3001

2014: in oil & graphite

Rocky Shoreline, graphite and Conte on Canson board. 12 x 18 inches

Rocky Shoreline, graphite and Conte on Canson board. 12 x 18 inches

Oil on Panel, 24 x 36 inches

Oil on Panel, 24 x 36 inches

Late Snow, 19 x 20 inches, oil on linen

Late Snow, 19 x 20 inches, oil on linen

Sand Beach, right dide, work in progress

Sand Beach, right dide, work in progress

Perched, 14 x 14, Graphite on Canson

Perched, 14 x 14, Graphite on Canson

Near Otter Cliff, Graphite and Conte on Canson Board, 12 x 18 inches

Near Otter Cliff, Graphite and Conte on Canson Board, 12 x 18 inches

2014: in oil & graphite.
Democracy and freedom tiananmen square.

All quiet in the park

I went out into Acadia National Park this morning to draw near Otter Cliffs. I saw not another soul all morning. The light, what there was of it, was beautiful, the quiet, quite splendid. Eventually the wind came up and the work had to end.

dec_15_2014

Spruce and Snow– Currently on the easel. Work in Progress

Spruce and Snow, 24 x 36 inches, oil on panel, Work in Progress

Spruce and Snow, 24 x 36 inches, oil on panel, Work in Progress

 

Currently on the easel… I’ve long been fond of this particular view of a cluster of trees out near the tip of Great Head in Acadia. 24 x 36 is a larger piece than I am accustomed to painting although I am finding the larger scale to be very appealing.